In his first film El Santo was still referred to as ‘El Enmascarado’. Rendered compliant by a scientist and his gangsters via a serum and mysterious rays, he is forced for the opening act to be a henchman for the evil forces who want to take over the world. The film has great historic value, due also to its impressive exterior shots of pre-revolutionary Cuba 1959.

• Agrupación de Técnicos Cinematografistas de Cuba
• Azteca Films
• Joaquín Cordero
• Norma Suárez
• Enrique Zambrano
• Alberto Inzúa
• Juanito Tremble
• Enrique Almirante
• René Socarrás
• Mario Texas