Since the 2022 Itaewon Halloween tragedy, social mourning has failed to reach the margins. Within this silence, stories unfold from those who hesitate yet strive to respond in their own ways. While documenting them, I drift among them too, and find that the sites of mourning hold no place for people like me. Fragmented stories are continually rewritten into three loosely defined parts, like a messy cluster of sticky notes.

• Korea National University of Arts